{{ productTitle }}
Choose Amount
See more from {{ category.title }}
{{ productTitle }}
Choose Amount
See more from {{ category.title }}
{{ label }}
Get notified when this product is back in stock.
Gift wrapping available
We can personally gift wrap your order and send direct to the recipient for you. Just add gift wrap at the shopping cart.
Purchases support the Museum
Buying from the Museum Shop supports the work and activities of the National Museum of Australia.
Learn moreDescription
Cotton Tea Towel – Digital Print-DYM931
This is a teaching painting, describing a dry season in Damiens homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent womens body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
This is a teaching painting, describing a dry season in Damiens homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent womens body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).