{"title":"One of Twelve","description":"\u003cp\u003e\u003cspan\u003eCelebrate wearable art with the Museum Shop’s One of Twelve collection, a unique range of silk garments and accessories showcasing the work of Indigenous Australian artists. Each piece is a limited-edition creation, transforming original artworks into luxurious scarves, clothing, and textiles that honor culture and storytelling. With a focus on ethical production and sustainability, One of Twelve supports artists by sharing their stories through fashion while offering customers timeless, statement-making designs. Perfect for collectors, art enthusiasts, and style seekers, this collection embodies creativity, heritage, and elegance. Explore the Museum Shop’s One of Twelve page to discover exclusive pieces that connect contemporary fashion with Indigenous artistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"scarf-untitled-scarf-by-aubrey-tjangala-one-of-twelve","title":"Scarf Untitled Aubrey Tjangala - One of Twelve","description":"This painting depicts designs associated with the site Walungurru (Kintore), set deep in the Western Desert. During ancestral times, Ngintaka (Perentie) travelled to this site from the west where he died and turned to stone, becoming the prominent mountain that marks the community.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe site is also associated with the secret-sacred Tingari Song Cycle, the contents of which are only known to initiated Pintupi. Although the specific stories are closely guarded, the Tingari in general are a group of ancestral Dreaming beings who travelled the country, performing rituals and creating and transforming significant sites. Their adventures are enshrined in numerous song cycles, and their stories form part of initiatory teachings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAubrey’s strong use of line and repetition rendered in a restrained monochrome palette creates a mesmerising optical effect, allowing the viewer to follow the tracks of the Ngintaka to his final resting place.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e70cm x 140cm 16mm 100% silk satin with hand rolled edges and double sided printing.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826473877640,"sku":"166322","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-1_c06e71da-b0a2-4531-a6f4-9953284f87b1.jpg?v=1640058877"},{"product_id":"scarf-untitled-scarf-by-naata-nungurrayi-one-of-twelve","title":"Scarf Untitled Scarf by Naata Nungurrayi","description":"Naata’s untitled painting depicts designs associated with the soakage water site of Unkunya, west of the Pollock Hills in Western Australia. The associated Tjukurrpa (Dreaming Story) tells of two snakes that passed through this site after travelling far from the east. The twin soakages that define this site were formed by the snakes as they disappeared underground. During mythological times, a group of ancestral women travelling from the west passed through Unkunya on their way to Marrapinti. The women stopped at Marrapinti to make ceremonial nose bones, also known as marrapinti, which were traditionally worn through the septum. The women continued their travels to the east, passing through Ngaminya and Wirrulnga, collecting kampurarrpa (desert raisins) from the small shrub Solanum centrale along the way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNaata’s blazing palette and dynamic line-work breathe life into the journey of the two snakes as they shape the site of Unkunya. The artist’s repetitive use of parallel lines conjures both the travels of the women and the shapes of marrapinti they created along their way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e92cm x 105cm 16mm 100% silk satin with hand rolled edges and double sided printing.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826473943176,"sku":"166323","price":220.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-1_e9fe2759-d6b1-409f-9197-9a0614da4cb4.jpg?v=1640059131"},{"product_id":"scarf-silk-parnngurr-area-by-jakayu-biljabu-one-of-twelve","title":"Scarf Silk Parnngurr Area by Jakayu Biljabu - One of Twelve","description":"The electrifying work Parnngurr Area relates to the landscape surrounding the Martu community of Parnngurr in the Eastern Pilbara. Significant sites Yalpu, Wangkakarlu, Parnkurrl and Kurran Kurran are depicted – water sources that were crucial to the survival of Biljabu and her family during pujiman. Biljabu’s family travelled from place to place depending on the availability of food and water at these sites, and to fulfil social and ritual obligations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe epic Minyipuru Jukurrpa (Seven Sisters Story) follows the travels of an amorous old man named Yurla as he chases seven sisters across the desert of Martu Country. The yellow arc-like shapes in this work represent the sisters dancing near Parnngurr.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYurla followed the sisters from Roebourne on the coast of Western Australia. At one point in the story, Yurla snatches one of the women, but her sisters trick him and manage to rescue her. Eventually they escape into the sky, taking the form of the seven stars comprising the Pleiades constellation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e87cm x 125cm 14mm 100% silk satin with hand rolled edges.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474139784,"sku":"166324","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5130.grey.jpg?v=1640059610"},{"product_id":"scarf-silk-minyipuru-by-jakayu-biljabu-one-of-twelve","title":"Scarf Silk Minyipuru by Jakayu Biljabu","description":"In this work, Jakayu Biljabu transports the viewer into the desert Country traversed by seven sisters as they are chased by a lustful old man.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe epic Minyipuru Jukurrpa (Seven Sisters Story) follows the travels of seven sisters as they are chased across the desert of Martu Country by an amorous old man named Yurla.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYurla followed the sisters from Roebourne on the coast of Western Australia. At one point in the story, Yurla snatches one of the women, but her sisters trick him and manage to rescue her. Eventually they escape into the sky, taking the form of the seven stars comprising the Pleiades constellation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e67 X 133CM 12MM 100% SILK SATIN WITH HAND ROLLED EDGES","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474172552,"sku":"166325","price":200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5126.grey.jpg?v=1640059804"},{"product_id":"scarf-silk-wilarra-by-mulyatingki-marney-one-of-twelve","title":"Scarf Silk Wilarra by Mulyatingki Marney","description":"Wilarra is the word for moon in Manyjiljarra, and also the name of the site depicted in this work. A cluster of saltwater pools known for their healing properties are found at the site, and Martu people still frequent them to bathe cuts and sores. Mulyatingki Marney and her sisters often camped at Wilarra where a wungkurr (windbreak) provided shelter. Of this ethereal work, Marney says:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The moon and the lake. The moon is taking care of the dingo pups, it’s looking after them. This here is the salt lake [and the] dingo pups here laying down, they’re laying there with their mum. [The] father is here, [the] father of the pups with his wife. They are talking to each other, laying down next to each other. They sang out, kept howling. The pups listened and ran away. The moon is laying down taking care of the pups.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Jukurrpa (Dreaming) times, the moon called a family of dingoes to Wilarra where she cared for them, creating a windbreak for the family to shelter. The dingoes then continued their travels, following the moon to the east, stopping at various sites along the way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e87cm x 115cm 14mm 100% silk satin with hand rolled edges.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474205320,"sku":"166326","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5598_3.jpg?v=1640059987"},{"product_id":"tie-untitled-by-helen-dale-samson-one-of-twelve","title":"Tie Untitled by Helen Dale Samson - One of Twelve","description":"In this untitled painting, Samson depicts the area surrounding the community of Jigalong in the Eastern Pilbara. This is her ngurra (home Country), where she lives with her family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSamson leaves the viewer to their own devices in contemplating this work – a satellite perspective of a vast and nuanced landscape, or an intricate study of the smallest of its elements?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegardless of the answer, Samson’s intricate iconography undulates across the gentle lilac background creating a beautiful visual meditation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474238088,"sku":"166327","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5264.2.jpg?v=1640060305"},{"product_id":"tie-kulyakartu-ngurra-tie-by-wokka-taylor-one-of-twelve","title":"Tie Kulyakartu Ngurra Tie by Wokka Taylor - One of Twelve","description":"This work depicts Kulyakartu, a significant site in the far north of the Martu homelands. During pujiman (traditional, desert dwelling) times, Taylor and his family travelled to Kulyakartu in the wet season to take advantage of the vast grassy planes that made for excellent hunting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWokka and his brother Muuki, also an artist, are highly regarded senior Martu men. Together, they hold an encyclopaedic knowledge of Martu Country, including a deep understanding of the ecology and biodiversity of their land. In collaborative works, the brothers have been known to chart the intricate network of underground waters sustaining their Country.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaylor’s signature style features densely layered dot work that flows rhythmically across the canvas, suggesting warm winds moving gently over sandhills or soft desert grasses. In this work, Taylor lovingly traces sinuous blue lines that snake their way across the plush grasslands of Kulyakartu, conjuring images of subterranean waters that support the fragile biodiversity of this site.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474270856,"sku":"166328","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5217.2.jpg?v=1640060891"},{"product_id":"tie-waran-by-minyawe-miller-one-of-twelve","title":"Tie Waran by Minyawe Miller","description":"The rhythmic linear dotting in this work represents the tali (sandhills) of the area surrounding Waran. This significant site sits within Minyawe Miller’s ngurra (home Country).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMiller travelled vast stretches of Martu Country with his family during pujiman (traditional, bush dwelling) times. They traversed the expansive sandhill country between water sources, hunting and gathering bush foods along the way. Rock holes, soaks, springs and waterholes were of vital importance to Martu people in the pujiman era; knowledge of their whereabouts being essential to survival. Specific sites were visited according to the wet or dry seasons and the availability of resources.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this work, Miller’s use of negative space evokes the long, sharp shadows that announce the days end in the desert. Miller’s restricted colour palette and sparing dot work conjures what could as easily be a starry night sky as a series of shifting sandhills, glinting in the dying light.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474303624,"sku":"166329","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5270.2.jpg?v=1640061081"},{"product_id":"tie-ngurra-by-bugai-whyoulter-one-of-twelve","title":"Tie Ngurra by Bugai Whyoulter","description":"This is Bugai Whyoulter’s ngurra (home Country), the Country she walked with her family during pujiman (traditional, desert dwelling) times. Whyoulter’s works are mediators between past and present; ruminating on the practice of living symbiotically with Country and culture. Defying common perceptions of Western Desert art, Whyoulter’s work is bold and gestural. Her signature style is characterised by original mark making and riotous colour use in compositions at once fervid and tender.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDescribed as an irrepressible painter and brilliant colourist, Whyoulter’s work speaks of her intimate and profound connection to her Country. Whyoulter’s practice has been described as almost trance-like; the act of painting transporting her to important sites within her Country such as Wantili, near the place of her birth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Ngurra, Whyoulter guides us through the undulating tali (sandhills), warta (trees; vegetation) and waterholes she has traversed over the course of her life.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474336392,"sku":"166330","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5240.2.jpg?v=1640061452"},{"product_id":"tie-kulyakartu-by-muuki-taylor-one-of-twelve","title":"Tie Kulyakartu by Muuki Taylor","description":"“My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this exquisite landscape study, Muuki Taylor depicts the grass country around Kulyakartu, in the north of the Great Sandy Desert. There is very good hunting at Kulyakartu, but no permanent water. During pujiman (traditional, desert dwelling) times, Taylor’s family walked there each year following the wet season.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaylor paints his Country in all its seasonal stages, paying close attention to the after-effects of waru (fire burning). Controlled burns play a crucial role in encouraging greater diversity in plant and animal life, regenerating growth and assisting with hunting. In this work, the artist leaves us to consider what seasonal shifts may be at play. Taylor’s richly layered dot work and blazing colour palette seem to evoke nyurnma (burnt ground) – smouldering embers still aglow after a recent burn.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474369160,"sku":"166331","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5249.2.jpg?v=1640061643"},{"product_id":"tie-walka-wiru-ngura-wiru-by-phyllis-donegan-one-of-twelve","title":"Tie Walka Wiru Ngura Wiru by Phyllis Donegan","description":"Donegan’s painting ‘Walka Wiru Ngura Wiru’ transports us across the vast desert country surrounding the Tomkinson Ranges near the artist’s home community of Kalka, in the far north-western reaches of South Australia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe painting’s title, ‘Walka Wiru Ngura Wiru’ translates into English as, ‘lovely country, lovely drawing’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough her skilful use of layering and tonal graduation, Donegan’s work creates an immersive experience – her paint appears to vibrate above the surface of the canvas creating a mesmerising optical effect. In this way, the artist breathes life into the undulating tali (sandhills) and puli (rocky hills) that characterise the sprawling desert country of her homelands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% SILK SATIN WITH COTTON PADDING AND SILK LINING.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":39826474401928,"sku":"166332","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/mg_5792.jpg?v=1640061837"},{"product_id":"tie-wakapulkatjara-by-molly-miller-one-of-twelve","title":"Tie Wakapulkatjara by Molly Miller","description":"“When I was a little girl we walked everywhere, there were no motorcars then. Always walking, around and around, and around. This is a happy place for me. Looking after children, lots of rabbits, lots of maku (witchetty grub), lots of honey ants. We were really happy back then. This is a beautiful place.” – Molly Miller\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Miller depicts the rocky Country surrounding her birthplace, Wakapulkatjara, south east of Papulankutja (Blackstone) on the Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) Lands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs she paints, Miller recalls her travels between Papulankutja and Mantumaru, traversing puli (rocky outcrops) and tali (sand hills) and stopping at rockholes related to her father’s Tjukurrpa (Dreaming).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe viewer becomes immersed in the painting’s gentle shifts in tone and form. There is no need to gain bearings. 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After their feast, the men continued travelling north-east to Tarkul, north of Winparku (Mt Webb). The Tingari Cycle is secret-sacred in nature, but in general, the Tingari are a group of ancestral beings who traversed the country, shaping the landscape through their travels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKumanjayi’s work is characterised by intricate, rhythmic linework, and a subtlety of palette. This work is no exception – the artist’s use of a burnt orange underpainting tempers the flow of the blue-grey surface layer, suggesting the seasonal movements of the ephemeral desert waterways. Joseph favours large scale canvases that he painstakingly details with ripples of linework layered with dots. The grand scale of his works evoke an atmospheric viewpoint, reminding us of the vastness of the landscape and our fleetingness within it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% silk satin with cotton padding and silk lining.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALL OF ONE OF TWELVE'S TIES COME IN A BEAUTIFUL GIFTBOX AND INCLUDE AN ARTIST’S CARD, DETAILING THE ARTIST’S WORK AND PRACTICE.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":40772552720520,"sku":"WSTIEJJ","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-115_6298bb00-03ed-45d5-a9e1-f760fed42869.jpg?v=1676496050"},{"product_id":"scarf-silk-untitled-by-george-tjungurrayi-one-of-twelve","title":"Scarf Silk Untitled by George Tjungurrayi - One of Twelve","description":"George Tjungurrayi’s untitled painting relates to the claypan site of Mamultjulkulnga, on the western side of Wilkinkarra (Lake Mckay). This site is of great importance to the artist, whose father passed away here. After rain, the claypan becomes a shallow freshwater lake, and the small fleshy shrub known as mungilypa (Tecticornia verrucose) grows abundantly. During ancestral times, two Tingari men of the Tjungurrayi and Tjapaltjarri kinship subsections camped at this site to gather mungilypa. The men made spears, which they threw towards the east and west. The spears flew straight before turning north and south. Tjungurrayi’s linework in this painting traces the trajectory of the spears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this work, Tjungurrayi employs his signature two-tone palette and rhythmic linework to create an artwork that vibrates with the energy of spears hurtling through space. 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A rockhole called Dulu’.] At this place there are lots of women and men dingos living there, digging up the water and hunting at Pilantjara rockhole in the country area of Dulu. This is papa walka, dog design.” – Jimmy Donegan\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePapa Tjukurpa represents a pivotal work for Donegan. In this work, the artist boldly deviates from his signature style of fastidiously detailed dot-work, in a breakthrough piece that is startlingly contemporary.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDonegan paints the Papa Tjukurpa (Dog Dreaming) entrusted to him by his father. The artist’s loosely unfurling circles and spare infilling reveal the inky black depths of the canvas, speaking of a complex ontological system that marries physical and metaphysical worlds. The artist’s compelling use of vibrant, rhythmic line work strikes a harmonious balance with the negative space, chronicling the papa’s journey across Donegan’s homelands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e110CM X 110CM 12MM 100% SILK SATIN WITH HAND ROLLED EDGES.\u003cbr data-mce-fragment=\"1\"\u003eALL OF OUR SCARVES COME IN A BEAUTIFUL GIFTBOX AND INCLUDE AN ARTIST’S CARD, DETAILING THE ARTIST’S WORK AND PRACTICE.","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":41054583160968,"sku":"WSSCJD02","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-238_96bff5fd-769d-4a03-88fe-2dc0b99c1405.jpg?v=1676951180"},{"product_id":"tie-untitled-by-ray-james-tjangala-one-of-twelve","title":"Tie Untitled by Ray James Tjangala","description":"Ray’s untitled painting depicts designs associated with the site Karrilwarra, a rockhole west of the Kiwirrkura community. Two ancestral snakes travelled to this site from the far east. At Karrilwarra, the snakes created rockholes, soakages and sandhills before travelling west to Jigalong. The Tingari people later stopped at this site before continuing their journey in the same direction as the snakes. This story forms part of the Tingari Song Cycle, a closely guarded mythology, the specifics of which are known only to initiated Pintupi. In general, the Tingari were a group of ancestral beings who traversed the country creating and transforming its features through their travels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRay’s style is a departure from the sinuous rockholes that characterise much of the Papunya Tula canon. The artist is known for his hard-edged geometric designs and repetition of form that render narrative obtuse. 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During ancestral times, a group of women of the Nangala and Napangati kinship subsections camped at Marrapinti on their travels towards the east. While here, the women made nose bones, also known as marrapinti, which are worn through a hole in the septum. During the ceremonies relating to Marrapinti, the older women pierced the nasal septums of the young female participants. At the conclusion of the ceremony, the women continued their travels east, passing through Wala Wala, Ngaminya and Wirrulnga, before heading north-east to Wilkinkarra (Lake Mckay). The lines in this painting depict the rippling tali (sandhills) surrounding Marrapinti.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRenowned for her fastidious geometric linework and complex optical fields, Doreen was a truly formidable artist. 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A large group of ancestral women camped at this site before continuing their journey to the east, passing through Wala Wala, Kiwikurra and Ngaminya. At Marrapinti, the women made nose bones also known as marrapinti – ceremonial adornments that are worn through the web of the nose.\u003c\/p\u003e\n\u003cp\u003eThe women continued their travels towards the east, gathering the edible berries known as kampurarrpa or desert raisins from the small shrub Solanum centrale along the way. Kampurarrpa can be eaten directly from the plant, or ground into a paste and cooked over coals to make damper.\u003c\/p\u003e\n\u003cp\u003eYukultji is known for her grand, undulating canvases that suggest a topographical view from the upper layers of the atmosphere. 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During ancestral times a large group of Tingari men travelled to Marawa from the west, and after arriving at the site, passed beneath the earth’s surface and continued travelling underground. It is also said that a huge ancestral snake sleeps in this swamp. Since events associated with the Tingari Cycle are of a secret nature no further detail was given.\u003c\/p\u003e\n\u003cp\u003eGenerally, the Tingari are a group of ancestral beings of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping particular sites. The Tingari men were usually followed by Tingari women and were accompanied by novices, and their travels and adventures are enshrined in a number of song cycles. These ancestral stories form part of the teachings of the post initiatory youths today as well as providing explanations for contemporary customs.\u003c\/p\u003e\n\u003cp\u003e100% silk satin with cotton padding and silk lining.\u003c\/p\u003e\n\u003cp\u003eAll of our ties come in a beautiful giftbox and include an Artist’s card, detailing the artist’s work and practice.\u003c\/p\u003e","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":43874162770056,"sku":"194842","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/files\/Untitled-325_ccabf99d-cf1c-4d72-9c0a-ef2a06f3b830.jpg?v=1756337414"},{"product_id":"tie-hail-at-kaakurutintjinya-by-willy-tjungurrayi-one-of-twelve","title":"Tie Hail at Kaakurutintjinya by Willy Tjungurrayi","description":"\u003cp\u003eThis work depicts the site Kaakurutintjinya (Lake Macdonald), a vast salt lake straddling the border between the Northern Territory and Western Australia. Delicate white dots course across the rich ochre background of this work, evoking the glinting of light on salt against the undulating red tali (sand dunes) of Kaakurutintjinya.\u003c\/p\u003e\n\u003cp\u003eDuring mythological times, a group of Tingari Men, both young and old, travelled to this site from the west, where they perished in a powerful hailstorm. The Tingari, mythical beings of the  Tjukurrpa (Dreaming), journeyed across vast stretches of country, performing rituals and shaping the landscape. These ancestral men were typically followed by Tingari Women and accompanied by novices. These sacred storylines continue to hold profound significance in Pintupi culture, forming the foundation of traditional knowledge systems for initiated youth and sustaining contemporary customs.\u003c\/p\u003e\n\u003cp\u003e100% silk satin with cotton padding and silk lining.\u003c\/p\u003e\n\u003cp\u003eAll of our ties come in a beautiful giftbox and include an Artist’s card, detailing the artist’s work and practice.\u003c\/p\u003e","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":43874162802824,"sku":"194843","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/files\/Untitled-327_320afdca-6001-4e7d-8b99-0245a284583e.jpg?v=1756338632"},{"product_id":"scarf-untitled-twilly-by-yuyuya-nampitjinpa-one-of-twelve","title":"Scarf Untitled Twilly by Yuyuya Nampitjinpa","description":"\u003cp\u003eYuyuya’s untitled painting depicts designs associated with the site Umari, a rockhole situated in the sandhill country near Mt Webb in Western Australia. A large group of ancestral women travelled east from Umari to the rockhole Pinari, north-west of Kintore. Along their travels, the women collected the edible berries known as kampurarrpa or desert raisins (Solanum centrale). Kampurarrpa can be eaten straight from the bush, or ground into a paste and cooked over coals to make damper. From Pinari, the women continued their journey east to the site of Kalipinpa, a major Kapi Tjukurrpa (Water Dreaming) site north of Sandy Blight Junction.\u003c\/p\u003e\n\u003cp\u003eYuyuya’s work is characterised by her use of a complex symbolic language rooted in ancient cultural tradition. The artist’s skilful use of colour, movement and negative space make her interpretations of these symbols strikingly contemporary. In this work, the artist’s bold use of warm colours and repetition of form transport the viewer to the undulating sandhills of her homelands.\u003c\/p\u003e\n\u003cp\u003e12cm x 180cm 19mm 100% silk satin – double sided.\u003c\/p\u003e\n\u003cp\u003eAll of our twillies come in a beautiful cloth drawstring bag and include an Artist’s card, detailing the artist’s work and practice.\u003c\/p\u003e","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":43874163032200,"sku":"194844","price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/files\/Untitled-329_ac1b9044-7d14-4d1d-b14b-e88e7c33e800.jpg?v=1756338746"},{"product_id":"scarf-twilly-by-michael-reid-tjapanangka-one-of-twelve","title":"Scarf Twilly by Michael Reid Tjapanangka","description":"\u003cp\u003eMichael Reid’s work, ‘Rockhole site of Tarkul’ depicts designs related to the rockhole and soakage water site of Tarkul, north of Mt Webb in Western Australia. During ancestral times, a large group of Tingari men camped at this site before travelling east to Pinari. The Tingari Song Cycle is a secret-sacred mythology, the specifics of which are only known to initiated Pintupi. In general, the Tingari are a group of ancestral Dreaming beings who travelled over vast stretches of country, creating, and transforming the landscape through their movements.\u003c\/p\u003e\n\u003cp\u003eMichael’s striking use of line and stark monochrome palette create the entrancing effect of pulsating movement in this work. The artist’s interconnecting geometric lines evoke a labyrinthine form, the motif symbolic of a journey or pilgrimage to a predetermined site – much like the travels of the Tingari. Though the esoteric meaning of this work remains secret, the symbolism is universal – the artist’s maze of brushstrokes guiding the viewer on a journey across the Pintupi homelands.\u003c\/p\u003e\n\u003cp\u003e12cm x 180cm 19mm 100% silk satin – double sided.\u003c\/p\u003e\n\u003cp\u003eAll of our twillies come in a beautiful cloth drawstring bag and include an Artist’s card, detailing the artist’s work and practice.\u003c\/p\u003e","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":43874163064968,"sku":"194845","price":90.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/files\/Untitled-331_35f975ec-5dae-4ccf-9b41-eae9192cbcc8.jpg?v=1756338923"},{"product_id":"scarf-silk-bush-trip-by-cassaria-young-hogan-one-of-twelve","title":"Scarf Silk Bush Trip by Cassaria Young Hogan","description":"\u003cp\u003eCassaria Young Hogan’s work is a joyful chronicle of bush trips to her grandfather’s Country south west of Kalka, encompassing the sacred sites of Kunatjara in South Australia and Mamutjara over the border in Western Australia.\u003c\/p\u003e\n\u003cp\u003eYoung Hogan shares a mastery of vibrant colour with her grandfather, senior lawman Nyayati Stanley Young. The artist harnesses her striking colour palette to create a cast of electric characters that boldly announce themselves, jostling for attention against a black background.\u003c\/p\u003e\n\u003cp\u003eThe viewer is left to marvel at the neon gathering of forms, perhaps catching glimpses of maku (witchetty grub) and tjala (honey ants) as they are scooped up by Young Hogan and her family during a bush trip to her grandfather’s homelands.\u003c\/p\u003e\n\u003cp\u003e110 x 110cm 12mm 100% silk satin with hand rolled edges.\u003c\/p\u003e\n\u003cp\u003eAll of our scarves come in a beautiful giftbox and include an Artist’s card, detailing the artist’s work and practice.\u003c\/p\u003e","brand":"One of Twelve","offers":[{"title":"Default Title","offer_id":43874163163272,"sku":"194846","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/files\/Untitled-332_31e8e6aa-3411-4836-a7df-11ba233689e5.jpg?v=1756339020"}],"url":"https:\/\/shop.nma.gov.au\/collections\/one-of-twelve.oembed?page=3","provider":"National Museum Australia","version":"1.0","type":"link"}