{"title":"Diaries + Journals","description":null,"products":[{"product_id":"journal-a5-alma-granites-warlukurlangu","title":"Journal A5 Alma Granites - Warlukurlangu","description":"\u003cp\u003eA5 Journal.\u003cbr data-mce-fragment=\"1\"\u003eBased on the artwork 'Star or Seven Sisters Dreaming' by Alma Granites. Includes information about the artist and artwork.\u003c\/p\u003e\n\u003cp\u003e\"I want my art to tell the story of my ancestors and be able to show the world my culture and my traditions.\"\u003cbr\u003eAlma Nungarrayi Granites lives in Yuendumu, an Aboriginal community located Northwest of Alice Springs. She is the daughter of Paddy Japaljarri Sims (Dec) and Bessie Nakamarra Sims both founding artists of Warlukurlangu Artists. She paints a large array of stories all of which have been passed down to her from her father and generations before him. All her paintings tell creation stories that relate to the artists traditional country. She has been painting with Warlukurlangu Artists since 1987. In 2007 she decided to explore her painting skill in more depth; she started working at the art centre every day to produce a body of work that has expanded her knowledge of the dreaming (Jukurrpa) as well as the development of her unique technical artistic style. She is a strong participant of Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre in Yuendumu, and has exhibited in group exhibitions nationally and internationally, culminating in two solo shows, one in Singapore in 2010 and one in Germany in 2011. In 2010 she completed an Artist in Residency at the Australian Pavillion World Expo 2010 in Shanghai, China.\u003c\/p\u003e","brand":"Alperstein Designs","offers":[{"title":"Default Title","offer_id":34711955701896,"sku":"9334600013896","price":18.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/jour-alma.jpg?v=1611284266"},{"product_id":"journal-a5-judy-watson-alperstein-designs","title":"Journal A5 Judy Watson - Alperstein Designs","description":"\u003cp\u003eA5 Journal. \u003cbr data-mce-fragment=\"1\"\u003eFeaturing artwork by Judy Watson. Includes information about the artist and artwork.\u003c\/p\u003e\n\u003cp\u003eJudy Napangardi Watson was born at Yarungkanji, Mt. Doreen Station, at the time when many Warlpiri \u0026amp; other Central \u0026amp; Western Desert Peoples were living a traditional nomadic life. Judy was taught painting by her elder sister, Maggie Napangardi Watson. She painted alongside her at Warlukurlangu artists for a number of years, developing her own unique style. She is at the forefront of a move towards more abstract rendering of Jukurrpa by Warlpiri artists, however her work retains strong kurruwarri, the details which tell of the sacredness of place and song in her culture. Judy Napangardi Watson has been exhibiting artwork since 1990 throughout Australia \u0026amp; around the world. Her works are featured in several major collections.\u003c\/p\u003e","brand":"Alperstein Designs","offers":[{"title":"Default Title","offer_id":34711955734664,"sku":"9334600003781","price":18.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/jour-waju.jpg?v=1611284133"},{"product_id":"notebook-by-pauline-nampijinpa-better-world-arts","title":"Notebook by Pauline Nampijinpa - Better World Arts","description":"\u003cp\u003eNotebook, Handmade Paper-PNA648\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis particular site of the Yankirri Jukurpa, (emu Dreaming [Dromaius novaehollandiae]) is at Ngarlikurlangu, north of Yuendumu. The ‘yankirri’ travelled to the rockhole at Ngarlikurlangu to find water. This Jukurrpa story belongs to Jangala\/Jampijinpa men and Nangala\/Nampijinpa women. In contemporary Warlpiri paitings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Emus are usually represented by their ‘wirliya’ (footprints), arrow-like shapes that show them walking around Ngarlikurlangu eating ‘yakajirri’ (bush raisin [Solanum centrale]). In the time of the Jukurrpa there was a fight at Ngarlikiurlangu between a ‘Yankirri’ ancestor and Wardilyka (Australian bustard [Ardeotis australis]) ancestors over sharing the ‘yakajirri’. 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Ngurunderi was looking for his two wives who had run away from him and was following Pondi, the big Murray Cod who had created the twists and turns of the river when sweeping his huge tail from side to side. Ngurunderi was trying to spear Pondi all the way along the journey.Together they formed the Murray River, lakes and landforms and everything in Ngarrindjeri Country. Ngurunderi made the rain that feeds the river and the country. With the rain came the rainbow, which can be seen in this painting. Ngurunderi also made the Ngarrindjeri people, who live along and around the River Murray, lakes, the Coorong region and across to Cape Jervis and the southern regions of what is now Adelaide. Ngurunderi travelled with his family and they also played a part in the creation of Ngarrindjeri country. Ngurunderi taught everyone the lore, dance, song, how to hunt and live and everything they needed to survive in their country. When they reached Lake Alexandrina Nepele, Ngurunderi’s brother in law, helped spear and kill Pondi. Ngurunderi cut Pondi into many pieces, each piece creating a new species of fish that now populates the river system. Ngurunderi never did catch his wives who drowned when crossing to Kangaroo Island, which was still joined to the mainland at that time. At this point Ngurunderi joined the spirit world becoming a star in the Milky Way.  In July 2015 Cedric was given a grant by Arts SA. for professional development and cultural research. With the support of Better World Arts, Cedric pursued an intensive program of studying archived information at the South Australian Museum. He spent time talking to Ngarrindjeri elders and researching his Ngarrindjeri heritage in some depth. During the same time period Cedric undertook some developmental workshops focused on his painting. These workshops provided life drawing, brush techniques and colour theory components, providing tools and knowledge for Cedric to include in the technical sides of his art. The results of these inputs into Cedric’s artistic and cultural development were immediately evident. Cedric continues to develop as an artist.","brand":"Better World Arts","offers":[{"title":"Default Title","offer_id":40894424252552,"sku":"BCVA748MJ","price":6.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-157_069b2a64-59fc-486f-b0cd-2cdc9e5e7e23.jpg?v=1668390751"},{"product_id":"micro-journal-lynette-nangala-brown-70x55mm-better-world-arts","title":"Micro Journal Lynette Nangala Brown 70x55mm - Better World Arts","description":"Micro Journal – 70mm x 55mm-LBR810\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLynette’s sculptural work and paintings are narrative, telling the stories of life on country and in community. Salt Lake is dotted throught the country she is familiar with.She lives in Irrunytju (Wingellina) and although she lives in the Ngaanyatjarra Lands, her heritage is the Pitjantjatjara language and cultural group.\u003cbr\u003e","brand":"Better World Arts","offers":[{"title":"Default Title","offer_id":40894424285320,"sku":"LLBR810MJ","price":6.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-158_bc00b678-9dc5-47d8-883c-48281174b750.jpg?v=1668390914"},{"product_id":"micro-journal-pauline-nampijinpa-singleton-70x55mm-better-world-arts","title":"Micro Journal Pauline Nampijinpa Singleton 70x55mm - Better World Arts","description":"Micro Journal-PNA648\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis particular site of the Yankirri Jukurpa, (emu Dreaming [Dromaius novaehollandiae]) is at Ngarlikurlangu, north of Yuendumu. 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In between the sandhills are dry claypans and rockholes.\u003cbr\u003e","brand":"Better World Arts","offers":[{"title":"Default Title","offer_id":40894426054792,"sku":"BDYM922MJ","price":6.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/8895\/1432\/products\/Untitled-160_e6ed273a-33fd-4574-bf6a-2596595c58c7.jpg?v=1668393440"},{"product_id":"micro-journal-nelly-patterson-70x55mm-better-world-arts","title":"Micro Journal Nelly Patterson 70x55mm - Better World Arts","description":"Micro Journal-NPA937\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNelly has an intimate knowledge of the Seven Sisters Storyan epic Tjukurpa (creation) story in which a man, Wati Nyiru chases seven sisters across the whole of Australia.The sisters started in Whyalla. Wati Nyiru chased them down to Port Augusta and wouldnt leave the sisters alone. He wanted to marry the big sister. The sisters left in the middle of the night to try and get away from him while he was sleeping. When Wati Nyiru woke, he wondered where the sisters had gone, but he soon was on their trail again, and found them near Canberra. The eldest sister was worried – she knew he was there again, watching the sisters while they camped. Nelly explains that Wati Nyiru was a mad one, he knew they were scared, but he still followed them. Wati Nyiru got very close to the sisters. The eldest sister was secretly signalling to the sisters that he was nearby, so as to not let Wati Nyiru know she was aware he was there.The man, Wati Nyiru, was singing about how much he wanted the big sister. He did too much dancing, that man, and the sisters ran away. He loved all the girls.The girls kept running. 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The painting illustrates aspects of landscape and culture around that area that was told to Damien by his great-grandmother and great- grandfather. There are women sitting with their children collecting bush potatoes (the mass of red shapes at the bottom of the painting). The women are talking and getting ready for a ceremony. There is one man (wati) sitting down with his waru (spear). The spinifex is dry and so the man is walking around making bushfires. He is a good man, he is undertaking controlled burnings so the spinifex burns up and then good fruits can grow after this. There are several symbols in this painting. The small sun-like symbols represent womens body painting  these are the images the women are painting on each other as they sit down ready for inma  traditional ceremony. There is a dry creek bed running through the painting (in red and white), and there are cracks in the ground and claypans. 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